1 | Classical Kemençe: Study of the first part of Rast Peşrevi (Benli Hasan Ağa). Ney: Study of Rast Peşrevi (Refik Fersan 1st part, teslim and 2nd part). oud: Sounds in position 1, acemaşiran makamı. Violin: Past tense and evaluation. Kanun: Study of the first mother of Rast Peşrevi (Refik Fersan). Bağlama: The location of the octave La voice in context. Turkish Art Music Voice-Tanbur: Basic breathing, relaxation exercises, voice exercises, solfege exercises, practices on the drumstick and soluzge, promo | [1]no:2460, [1] Arşiv No: E2492, (4) s. 121 ,(2), [1]no:E2492, [7] s. 86, [9]s.1-3; [10]s.2-7; [11]s.1-5; [12]s.1-7 |
2 | Classical Kemençe: Study of the second part of Rast Peşrevi (Benli Hasan Aga). Ney: Study of Rast Peşrevi (Refik Fersan 3rd and 4th parts). oud: çargah makamı. Violin: A series and etude study about Mahur makam. Kanun: Study of the second part of Rast Peşrevi (Refik Fersan). Bağlama: The place of octave vocabulary in context. Turkish Art Music Voice-Tanbur: Basic breathing, relaxation exercises, voice exercises, solfege exercises, practices on the drumstick and soluzge, promo | [1]no:2460, [1] Arşiv No: E2492, (4) s. 123; (2), (3), [1]no:E2492, [7]s.89; [8] s. 36, [9]s.3-7; [10]s.7-9; [11]s.5-10; [12]s.7-15 |
3 | Classical Kemençe: Study of the third part of Rast Peşrevi (Benli Hasan Ağa). Ney: Study of Rast Saz Semaisi (Benli Hasan Ağa 1st part, teslim and 2nd part). oud: aşkefza makam. Violin: A series and etude study about Mahur makam. Kanun: Study of the third part of Rast Peşrevi (Refik Fersan). Baglama: The place of the octave Do voice in context. Turkish Art Music Voice-Tanbur: Basic breathing, relaxation exercises, sound exercises, solfege exercises, practices on the drumstick and solo. | [1]no:2460, [1] Arşiv No: E2529, (4)s. 125; (2), (3), [1]no:E2492, [7]s.92; [8] s. 37, [9]s.7-14; [10]s.9-10; [11]s.10-17; [12]s.15-20 |
4 | Classical Kemençe: Study of first part and teslim of Rast Saz Semaisi (Münir Mazhar Kamsoy). Ney: Study of Rast Saz Semaisi (Benli Hasan Aga 3rd and 4th parts). oud: Legato series and left hand fingering. Violin: Mahur folk song study (Yemenimde Hare Var). Kanun: Study of first part and teslim of Rast Saz Semaisi (Osman Bey). Baglama: The place of the octave Re voice in context. Turkish Art Music Voice-Tanbur: Basic breathing, voice exercises and solfege exercises and practices on the drumstick | [1] no:2563, [1] Arşiv No: E2529, (4) s. 275; [1] no:E2585, [7]s.95; [8] s. 38, [9]s.14-22; [10]s.10-14; [11]s.17-19; [12]s.20-24 |
5 | Classical Kemençe: Study of first part and teslim of Rast Saz Semaisi (Münir Mazhar Kamsoy). Ney: Study of Uşşak Saz Semaisi (Salih Dede 1st , 2nd and 3rd parts). oud: Sequences obtained in main column at position 1. Violin: Mahur song work. Kanun: Second and third parts study of Rast Saz Semaisi (Osman Bey). Baglama: Weighing form consisting of fourteen hexes and a hit on the teaser. Turkish Art Music Voice-Tanbur: Basic breathing, relaxation exercises, sound exercises, solfege exercises, practices on the drumstick and solo. | [1] no:2563, [1] Arşiv No: E3356, (4) s. 127, [1] no:E2585, [7]s.98; [8] s. 39, [9]s.22-27; [10]s.14-18; [11]s.19-27; [12]s.24 |
6 | Classical Kemençe: Study of first part, teslim and second part of Kürdi Peşrevi. Ney: Study of Uşşak Saz Semaisi (Salih Dede 3rd and 4th parts). oud: Extension point and kürdi makam. Violin: Mahur song work. Kanun: Study of first part, teslim and second part of Kürdi Peşrevi (Refik Fersan). Bağlama: The weighing form consisting of octal and hexadecimals and the stroke of the teaser. Turkish Art Music Voice-Tanbur: Basic breathing, voice exercises and solfege exercises, practices on the drumstick and solo, solo dressing | [1]no: 1584, [1] Arşiv No: E3356, (4) s. 131; [7]s.101, [9]s.27-38; [10]s.18-23; [11]s.27-36; [12]s.24-28 |
7 | Classical Kemençe: Study of the third part and the fourth part of Kürdi Peşrevi. Ney: Study of Bayati Peşrevi (Neyzen Emin Dede 1st part, teslim and 2nd, 3rd and 4th parts). Oud: Work again. Violin: General repetition. Kanun: Study of the third part and the fourth part of Kürdi Peşrevi (Refik Fersan). Baglama: Weighing Scanners and Tezene Strike. Turkish Art Music Voice-Tanbur: Basic breathing, relaxation exercises, voice exercises, solfege exercises, practices on the drumstick and natural solace. | [1]no: 1584, [1] Arşiv No: E0216, [7]s105; [8]. s. 40, [9]s.38-42; [10]s.23-42; [11]s.36-38; [12]s.28-37 |
8 | Classic Kemençe: Study of the first part and teslim of Buselik Peşrev(Kemençeci Nikolaki). Ney: Study of Bayati Saz Semaisi (Necmettin Hakkı İzmirli 1st, 2nd, 3rd and 4th parts). Oud: acemaşiran makam. Violin: Series and etude in Rast. Kanun: Studying the first part and teslim of Buselik Peşrevi (Kemençeci Nikolaki). Attachment: Dotted pattern with dotted octal and hexadecimal and hit on the teaser. Turkish Art Music Voice-Tanbur: Basic breathing, relaxation exercises, sound exercises, solfege exercises, practices on the drumsticks and solo, solo, solo, | (1)no:369, [1] Arşiv No: E0216, (4) s. 132; [1]no:369, [7] s. 108.; (8) s. 41, [9]s.42-50; [10]s.42-48; [11]s.38-47; [12]s.37-52 |
9 | Classical Kemençe: Study of the second part of Buselik Peşrevi (Kemençeci Nikolaki). Ney: Study of Hüseyni Saz Semaisi (Lavtacı Andon 1st, 2nd and 3rd parts). Oud: Two extension point ornaments. Violin: Series and etude in Rast. Kanun: Study of the second part of Buselik Peşrevi (Kemençeci Nikolaki). Bağlama: The location of the Si bemol voice in context. Turkish Art Music Voice-Tanbur: Basic breathing, sound exercises and solfege exercises, practices on the drumstick and soloist, solo dressing of 1 oral work which will be passed on to Hicaz Humayun. | [1]no:369, [1] Arşiv No: E1260, (4) s. 134; [1]no:369, [7]s. 113.; (8) s. 42, [9]s.42-50; [10]s.42-48; [11]s.38-47; [12]s.37-52 |
10 | Classical Kemençe: Study of first, second parts and teslim of Buselik Saz Semaisi (Miskali İsmet Ağa). Ney: Study of Hüseyni Saz Semaisi (Lavtacı Andon 3rd and 4th parts). Oud: nihavend makam. Violin: Rast Song work. Kanun: Study of the first household, delivery of Buselik Saz Semaisi (I. Mahmut). Bağlama: The place of Si bemol 2 voice in context. Turkish Art Music Voice-Tanbur: Basic breathing, relaxation exercises, sound exercises, solfege exercises, practices on the drumstick and solo, solo dressing of 1 oral work which will be passed on Hicaz Uzzâl | [1]no:394, [1] Arşiv No: E1260, (4) s. 135, [7]s. 117.; (8) s. 44, [9]s.42-50; [10]s.42-48; [11]s.38-47; [12]s.37-52 |
11 | Classical Kemençe: Study of first part and teslim of Uşşak Peşrevi (Salih Dede). Ney: Study of Neva Peşrevi (Tanburi Cemil Bey 1st part, teslim, 2nd, 3rd and 4th parts). Oud: Thirty-two values tremolo. Violin: Rast Song work. Kanun: Study of the second part of Buselik Saz Semaisi (I.Mahmut). Baglama: Mi and mi 2 place in context, Fa place in context. Turkish Art Music Voice-Tanbur: Basic breathing, relaxation exercises, sound exercises, solfege exercises, practices on the drumstick and solo, solo dressing of 1 oral work which will be passed on Hicaz Uzzâl | [1]no: 3326, [1] Arşiv No: E1948, (4)s. 136-253, [7]s.122-125.; (8) s. 46-47, [9]s.50-51; [10]s.48-57; [11]s.47; [12]s.52-55 |
12 | Classical Kemençe: Study of first part and teslim of Uşşak Saz Semaisi. Ney: Study of Muhayyer Saz Semaisi (Tanburi Cemil Bey 1st, 2nd and 3rd parts). Oud: Series and left hand fingering. Violin: Sequence and etude in Segah makam. Kanun: Study of first part and teslim of Uşşak Peşrevi (Salih Dede). Bağlama: The place where the voice of the doodle is in context.Turkish Art Music Voice-Tanbur: Basic breathing, sound exercises and solfege exercises, practices on the drumstick and soloist, solo dressing of 1 oral work which will be passed on to Zirgüleli Hicaz makam | [1]no: 3356, [1] Arşiv No: E1834, (4). s. 255, [1]no: 3326., [7] s. 129. (8) s. 49, [9]s.52; [10]s.57-65; [11]s.47-58; [12]s.55-61 |
13 | Classical Kemençe: Study of the second part of Uşşak Saz Semaisi. Ney: Study of Muhayyer Saz Semaisi (Tanburi Cemil Bey 3rd and 4th parts). Oud: şehnaz buselik, hisar buselik ,ruhnevaz makam. Violin: Sequence and etude in Segah makam. Kanun: Study of first part and teslim of Uşşak Peşrevi (Salih Dede). Baglama: 3/8 Procedure and Tezene Strike, 6/8 Procedure and Tezene Strike. Turkish Art Music Voice-Tanbur: Basic breathing, sound exercises and solfege exercises, practices on the drumstick and soloist, solo dressing of the oral work which will be passed on to Zirgüleli Hicaz. | [1]no: 3356, [1] Arşiv No: E1834, (4) s. 136; [1]no: 3326., [7] s. 132-136. (8) s. 51-53, [9]s.60-61; [10]s.80-86; [11]s.62-78; [12]s.72-81 |
14 | general evaluation | |