| 1 | Introduction, Basic Components of Turkish Cinema After 90 | |
| 2 | Cinema as an Industry and Hollywood Cinema | |
| 3 | Field of Director Cinema | |
| 4 | Concepts of Dependency and Independence in Cinema, National Cinemas, Concept of Art Cinema | Ulusay, Nejat. “Türk Sinemasındaki Dönüşüm ve Eurimages”, Avrupa Birliği ve Türkiye’de İletişim Politikaları: Pazarın Düzenlenmesi, Erişim ve Çeşitlilik. Mine Gencel Bek ve Deirdre Kevin (drl.). Ankara: Ankara Üniversitesi Basımevi, 2005. ss.291-332. |
| 5 | Concepts of Dependency and Independence in Cinema and Communication Policies | |
| 6 | Yeşilçam Period and Film Production | |
| 7 | Turkish Cinema in the Axis of Political Developments in the 1970s and 1980s | Evren, Burçak. “Sinemamızda Yeni Bir Dönem”, Radikal. 23 Aralık 1996. Türsak Sinema Yıllığı 1996/97. İstanbul: Türsak Vakfı, ss.111-112. |
| 8 | Cinema Policies in Turkey After 1990 Production Conditions and Basic Components of Film Production After 1990, New Cinema Understanding: Nuri Bilge Ceylan Cinema | |
| 9 | New Cinema Understanding: Nuri Bilge Ceylan Cinema | |
| 10 | New Cinema Understanding: Zeki Demirkubuz Cinema, Yeşim Ustaoğlu Cinema | Asuman Suner, Hayalet Ev, Yeni Türk Sinemasında Aidiyet Kimlik ve Bellek. İstanbul: Metis Yayınları, 2005. |
| 11 | Film Festivals and Turkish Cinema | |
| 12 | Eurimages and Turkish Cinema | |
| 13 | Discussion and general evaluation | |