SANAT VE TASARIM ARAŞTIRMALARI DERGİSİ (STAR) JENERİK
MAKALELER
DİJİTAL SANAT EĞİTİMİ UYGULAMALARI İLE FİZİK TEDAVİYE DESTEK: GAZİ HASTANESİ ÖRNEĞİ
(SUPPORT TO PHYSİCAL THERAPY WITH DIGITAL ART EDUCATION APPLICATIONS: EXAMPLE OF GAZİ HOSPITAL)
Yılmaz Çıracıoğlu, Bülent SALDERAY ………………………………………………1-17
ESTETİK VE KÜLTÜREL BİR İLETİŞİM NESNESİ OLARAK ERGANİ ÇAYÖNÜ MAĞARA KABARTMALARI VE SEMBOLİK MOTİFLER
(ERGANI CAYONU CAVE RELIEFS AND SYMBOLIC MOTIFS AS AN AESTHETIC AND CULTURAL COMMUNİCATİON OBJECT)
Mahmut ÖZKAN, Umut YAĞCI ………………………………………………………18-30
1851 YILI VE SANAYİ DEVRİMİ SONRASI ENDÜSTRİDE SERİ ÜRETİM BAĞLAMINDA TASARIMIN ROLÜ
(THE ROLE OF DESIGN IN THE CONTEXT OF SERIAL PRODUCTION IN THE INDUSTRY AFTER 1851 AND THE INDUSTRIAL REVOLUTION)
Pınar KARABACAK, Sehran DİLMAÇ ………………………………………………31-39
SANAL GERÇEKLİK ORTAMININ SANAT EĞİTİMİNDE KULLANIMI
(USE OF VIRTUAL REALITY ENVIRONMENT IN ART EDUCATION)
Umut YAĞCI, Mahmut ÖZKAN ………………………………………………………40-57
ENDÜSTRİYEL GELİŞME: MODERNLEŞME BAĞLAMINDA SANAT ESERİ VE SANATÇININ DÖNÜŞÜM SÜRECİ
(INDUSTRIAL DEVELOPMENT: ART IN THE CONTENT OF MODERNIZATION AND TRANSFORMATION PROCESS OF ARTIST)
Nilüfer ÖZAKÇAOĞLU …………………………………………………………………58-65
Y KUŞAĞININ NOSTALJİ EĞİLİMİ
(NOSTALGIA TENDENCY OF GENERATION Y)
Fatih DİREN, Ceyhan KANDEMİR ……………………………………………………66-76
DİYATOMİT ESASLI TUĞLALARIN MEKANİK ÖZELLİKLERİNİN İYİLEŞTİRİLMESİNDE GRANİT TESİSLERİ ATIKLARININ KULLANILMASI
(USE OF GRANITE PLANT WASTES IN IMPROVING MECHANICAL CHARACTERISTICS OF DIATOMITE-BASED BRICKS)
Mehmedi Vehbi GÖKÇE ………………………………………………………………77-95
BALIKESİR İVRİNDİ İLÇESİ’NDE TARİHİ HÜKÜMET KONAĞI’NIN MİMARİ ÖZELLİKLERİ VE RESTORASYON SONRASI SÜRDÜRÜLEBİLİRLİĞİ
(THE ARCHİTECTURAL FEATURES OF HİSTORİCAL GOVERNMENT HOUSE IN BALİKESİR, İVRİNDİ DİSTRİCT AND ITS SUSTAİNABİLİTY AFTER RESTORATİON)
Hatice UÇAR…………………………………………………………………………….96-115
SIFIR ATIK MODA TASARIMI VE YAPBOZ MOZAİK VE ÇIKARMA KESİM YÖNTEMLERİNİN İNCELENMESİ
(ZERO WASTE FASHON DESIGN AND JIGSAW PUZZLE, TESSELATION, AND ANALYSING OF SUBTRACTION CUTTİNG METHODS)
Esra ENES ……………………………………………………………………………116-128